By Henri Cartier-Bresson, Seville, Spain, 1933
What, for you, are the milestones in the Magnum photobook catalogue?
Let’s start with Decisive Moment and Death in the Making by two of our founders [Henri Cartier-Bresson and Robert Capa, respectively] who also set the agenda, if you like, for Magnum with their opposite art and journalistic backgrounds.
What does a photobook give you that a regular book doesn’t?
It gives you an opportunity to live with the work and enjoy it, to take it in and soak it up. You wouldn’t get that with an exhibition or an online show, so it creates a relationship. It’s a tactile thing as well, so it’s a very appealing way of delivering a body of work.
Instagram versus the photobook: who wins and why?
I like Instagram, but ultimately I’d have to choose the book. It’s the perfect package because of the reason I just said. It smells; it has a shape or form; it’s physical. You know, Instagram is [full of] one-off pictures whereas the photobook is a sequence of pictures – and that’s very important.
Full interview here.
“…Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again.”
“To photograph is to hold one’s breath, when all faculties converge to capture fleeting reality. It’s at that precise moment that mastering an image becomes a great physical and intellectual joy.”
“Actually, I’m not all that interested in the subject of photography. Once the picture is in the box, I’m not all that interested in what happens next. Hunters, after all, aren’t cooks.”